Friday, December 20, 2019

Metaphor Criticism A Black Man And The Vehicle Is The Top

Metaphor criticism would be my rhetorical method of choose. I selected metaphor criticism after reading the prompt above and saw an abundance of metaphors such as â€Å"stunning glimpse†, â€Å"dizzying height† and â€Å"journey to the top† just to name a few. A metaphor within the paragraph that stood out is â€Å"journey to top.† The tenor would be â€Å"journey† and the vehicle is the â€Å"top† I thought metaphorical about each leg of the Arch from a historical perspective. As a black man, the racial history that my people endured is very important to me. My reasoning behind why passengers return to the 1800s after traveling to the top via the South leg was because the South was laagering in comparison to North with their treatment of blacks. For example, compare the North to the South during the 1800’s. Blacks were free in the North, yet slavery existed in the South. Even after the Emancipation Proclamation, the South still held onto its discriminatory nature with the use of Jim Crow Laws. However, the North was known for its industrialization, which caused an influx of immigrants that came during to America during 1920s from call over the globe in pursuit. This would explained why passengers who entered th e leg via the North leg saw construction workers wedging the last triangular piece of the arch. 2. – 3pts. Using Metaphor Criticism, analyze the following metaphors: â€Å"You are my sunshine,† â€Å"That gymnast is a diamond in the rough,† and â€Å"Time is money.† The metaphor â€Å"you are my sunshine† has theShow MoreRelated Discontent Expressed through Blues, Jazz, Reggae, and Hip-hop5489 Words   |  22 PagesAmerica in the early 1900s was completely characterized by a sense of alienation: He had no place to go, no one to turn to. He had no country, no home, no ideology, no art to call his own. 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Advertising text in sociolinguistic coverage and phonetic expressive means and stylistic devices†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.44 1. Galperin`s stylistic devices†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.48 2. The definition of stylistic devices with examples (metaphor, Epithet, Pun, Allusion, Stylistic inversion, Repetition which are in the text of advertising language†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.59 Chapter X. Classification of language styles†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.59 1. 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